Of course, if you deserve it, they won’t hesitate to shoot you if they think they can get away with it. They seldom contemplate having a shouting match with you at the opera or in the middle of an expensive dinner. A young woman will say nothing, fearing that you might think worse of her. They’ll tell you right off that you are a jerk if you’re acting like one. Older women are forthright and honest.By the age of 50, few women are wishy-washy. An older woman has been around long enough to know who she is, what she wants, and from whom.An older woman will never ask out of the blue, “What are you thinking?” An older woman doesn’t care what you think.Here are just a few of the reasons senior men sing the praises of older women: Today, now in my 70s, I still appreciate the 20-year-old for her youthful looks, vigor, and (occasional) sweet innocence.Īs I grow in age, I value mature ladies most of all. Any woman over 30 was ancient, over 40 invisible. When I was 20, I had eyes only for girls my age. By the end of the decade, he was dropped by MGM.Frequently (& mistakenly) attributed to Andy Rooney, the article ‘ In Praise of Older Women’ by Frank Kaiser is a great example of a different (as in not mainstream) perspective on aging & particularly of older women. For the first time in his career, Mickey Rooney struggled. Now 26, Rooney was patently too old for the role, and the series’ simplistic view of American life had fallen out of fashion. and Europe until 1946, when he returned to MGM and made yet another Andy Hardy movie. Assigned to Special Services, he entertained troops at bases in the U.S. But once the newspapers got wind of Mayer’s appeals to the draft board, the whole thing started to look unseemly, and MGM finally let its pint-size cash cow go serve his country. Mayer fought vigorously to keep Rooney out of the war and in Culver City where he could keep making MGM movies and thus minting money. And on the same set, Mickey Rooney received his draft notice. Unhappy that her mother and the studio had talked her into having an abortion, Garland started augmenting her cocktail of pharmaceuticals with actual cocktails, causing tension and delays on set. The final film Mickey and Judy made together, Girl Crazy, is the film where off-screen reality became impossible for Judy and Mickey to ignore. Mayer were perhaps the most like genuine father-teenager relationships, in all their complexity. For other stars, MGM was a home away from home for Mickey and Judy, it was home instead of home, and their relationships with Louis B. Both came from homes that their troubled fathers had broken, forcing the kids to go to work to help a single mom stay afloat. Both were short and cherubic-looking teens who had been performing with their vaudeville families since they could talk. Judy Garland and Mickey Rooney had more than discarded birth names in common. Rooney’s co-star in many of the Andy Hardy films, and also a series of musicals directed by Busby Berkeley, was his classmate at Mary MacDonald’s schoolhouse, the former Frances Gumm, who was now going by the name Judy Garland. So MGM obliged, making 14 more Andy Hardy movies over the next decade. A Family Affair was a modest success nationwide, but theater owners in real small towns reported their patrons were clamoring for more stories about the Hardy clan. And there was no better example of this than A Family Affair, the 1937 film in which Rooney first played Andy Hardy, the teenage son of a judge in bucolic small town America. Mickey Rooney would remember Mayer as a visionary who wanted to use his studio to produce movies that would change if not the world then at least America by presenting an idealized image of how things could be.
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